Prince Vaseline - A Naturally Coloured Pleasure
- by Rob Taylor Release Date:2015-06-03 Label:

Prince Vaseline from Brighton, on the south coast of England, release a mini-album, A Naturally Coloured Pleasure this week. Band members, Matthew Davies, Max Erl, and Eleanor Whittle are reconstituted from local band Milk & Biscuits, a dreamy indie/psychedelic outfit in thrall to the likes of Belle & Sebastian. Prince Vaseline's album is apparently inspired by Pulp’s His ‘n’ Hers, but is also influenced by British folk music, and 60s organ-led sunshine pop.
Additionally, with a quiet/loud dynamic, and a penchant for 1970s synth-pop, you have a band defying easy categorisation. Erl’s vocals at times resemble the droll baritone of Stuart Staples from Tindersticks.
Hook-laden pop music is at the core of A Naturally Coloured Pleasure. What I found off-putting was those mawkish Casio keyboards, played at times in monosyllabic style, the repetition conjuring ugly memories of A Flock of Seagulls et al. Sorry about that, but it happens a lot, and the simplicity of the keyboard patterns really stage-managed the music, much to its detriment in my view.
There are some exceptions, like the 1960s Velvets-inspired Hungry Dog, suitable homage to that sound, and an excellent and danceable track, even if the vocals are shaded a bit grey, and ‘Hurricane’, a more upbeat and jaunty indie number where Erl’s vocals lift more brightly, the keyboards have more warmth and reverb, and the sci-fi sounds approximate the ‘singing saw’ Mercury Rev employed on Deserter’s Songs, giving the track more allure.
One very cool thing, it's available on green cassette! Check the band out here:
'Promising but uneven.